Toby Keith likes to brag, “This big dog will fight when you rattle his cage.” But when my reporting on the pro-lynching lyrics in his song, “Beer For My Horses,” began to complicate the promo tour for his forthcoming “Southern comedy” movie of the same title, tough-talking Toby whined to the media. “The song was a hit and the words ‘lynch’ and ‘racism’ has [sic] never come up until this moron wrote this blog,” he fumed to Contact Music.

When Fox News picked up Keith’s comments, Big Dog Daddy’s loyal fans bombarded my in-box with a deluge of indignant rants. While insisting to me that “Beer For My Horses” contained not even a hint of coded racial animus, Keith’s fans simultaneously revealed their simmering resentment of Jews, blacks, and “faggy liberals.”

Their hate-laden letters comprised the script for my latest video:

Toby Keith Nation Fights Back, a creative take on my hate mail

Keith claimed that “Beer For My Horses” was simply an anodyne ditty intended to evoke nostalgia for the Old West, where “bad guys” met justice at the end of a rope. “It’s about the old West and horses and sheriffs … and going and getting the bad guys. It’s not a racist thing or about lynching,” he said.

Why then did Keith sing so despairingly of car thieves, “corruption in the street,” and terrorists who blow up buildings? Why did he invoke the swarthy boogeymen of the modern right-wing imagination right before launching into a verse about the good old days when his “grandpappy” would “take all the rope in Texas…find a tall oak tree,” and “hang them high in the street, for all the people to see?” Maybe “Beer For My Horses” isn’t about the Old West after all.

But since Keith has invoked that golden era of “horses and sheriffs…and going and getting the bad guys,” it is fair to ask if he knows anything about the real history of lynching in Texas. Does he know that according to the Handbook of Texas, the Lone Star stood third among the states — just behind Mississippi and Georgia — in its total of lynching victims? Does Keith know that of the 468 people lynched in Texas, a whopping 339 were African-American (a partial list of black Texan lynching victims is here)?

Lynching was not, as Keith disingenuously claimed, a practice exclusive to gallant Hollywood cowboys played by Gene Autry (who couldn’t even ride a horse) and Ronald Reagan. It was a mode of organized terror employed by groups like the Ku Klux Klan during Reconstruction to restore white supremacy in Texas and throughout the region.

Keith should immediately apologize for his musical monstrosity. Then I suggest he perform a cover of “Strange Fruit,” the Billie Holiday anthem inspired by the anti-lynching poetry of Jewish school teacher Abel Meeropol. Holiday often cried (watch her here) as she performed her haunting dirge. On at least one occasion, she was so overcome with emotion she could not finish. With Toby Keith exploiting the South’s most barbaric tradition for big bucks, Holiday’s tears burn like salt on an unhealed wound.

You may have noticed that my blog is being redesigned. The process had gone slowly but I anticipate finishing up by early next week. Then I should resume regular blogging. I also plan to release two projects very shortly that I have been working on for the past week. The first is a humorous video response to Toby Keith and his fans, who, despite their denials of racial animus, seem to harbor extreme resentment of the usual evildoers: blacks, Jews, liberals, and gays (In case you haven’t been following along), Keith called a “moron” last week. I also plan to publish a piece in the Nation about Jerome Corsi’s activities on the farthest shores of the right-wing fringe. Already, I have documented for Media Matters Corsi’s planned appearance on a white supremacist radio show and his August 4 spot on the radio show of the 9-11 “Truth” movement’s godfather, Alex Jones. But these documents only scratch the surface of Corsi’s crankery.

Despite his background as a comedian, Stephen Colbert is known by many of the authors who have appeared on his show as one of the toughest interviewers in the business. But on July 28, when country music superstar Toby Keith stepped on the set of the Colbert Report to promote his movie, “Beer For My Horses,” he was greeted by his host with nothing less than reverential admiration. After a jovial, back-slapping sit-down with Keith, Colbert turned the stage over to his guest for a performance of the song that inspired the title and theme of his forthcoming “Southern comedy.”

While Keith belted out “Beer For My Horses,” Colbert’s studio audience clapped to the beat, blithely unaware that they were swaying to a racially tinged, explicitly pro-lynching anthem that calls for the vigilante-style hanging of car thieves, “gangsters doing dirty deeds…crime in the streets,” and other assorted evildoers.

The lyrics to Keith’s ode to lynching are as follows:

Well a man come on the 6 o’clock news
said somebody’s been shot
somebody’s been abused
somebody blew up a building
somebody stole a car
somebody got away
somebody didn’t get to far yeah
they didn’t get too far

Grandpappy told my pappy back in my day, son
A man had to answer for the wicked that he’d done
Take all the rope in Texas
Find a tall oak tree, round up all of them bad boys
Hang them high in the street
For all the people to see

That Justice is the one thing you should always find
You got to saddle up your boys
You got to draw a hard line
When the gun smoke settles we’ll sing a victory tune
And we’ll all meet back at the local saloon
And we’ll raise up our glasses against evil forces singing
whiskey for my men, beer for my horses

We got too many gangsters doing dirty deeds
too much corruption and crime in the streets
It’s time the long arm of the law put a few more in the ground
Send ‘em all to their maker and he’ll settle ‘em down
You can bet he’ll set ‘em down…

During the days when Toby Keith’s “Grandpappy” stalked the Jim Crow South, lynching was an institutional method of terror employed against blacks to maintain white supremacy. According to the Tuskegee Institute, between the years 1882 and 1951, 3,437 African-Americans were lynched in the United States, mostly in the heart of Dixie. Felonious assault and rape (read: corrupting “the flower of white womanhood”) were the two most frequent justifications for lynch mob actions.

During the glory days of Keith’s “Grandpappy,” lynching brought the whole community together

Georgia was ground zero for lynch mob activity. Though most of the Peach State’s victims were black, one of its most high-profile hangings claimed the life of a Jew, Leo Frank. Frank, a college-educated Northerner, was wrongly convicted in 1913 of murdering a 13-year-old girl after a show trial in which his prosecutor portrayed him to a grand jury as a bisexual pervert. Before the trial, one juror remarked, “If I get on that jury, I’ll hang that Jew for sure.”

A crowd gathered outside the courtroom as soon as the verdict came down. “Hang the Jew!” they chanted. Above the mob’s cries rose the voice of a country fiddler named John Carson who had come to debut his ode to Frank’s supposed victim, Mary Phagan. He sang:

Leo Frank he met her

With a brutish heart, we know;
He smiled, and said, “Little Mary,
You won’t go home no more.”

The terrifying spectacle outside the courtroom prompted Jewish families to flee Atlanta in droves. Two years later, after the governor commuted Frank’s sentence, a lynch mob spirited Frank from his prison cell, dragged him into the woods and lynched him — from “a tall oak tree,” as Toby Keith sang.
Leo Frank, a Northern Jew, was lynched in 1915 — from “a tall oak tree,” as Toby Keith sang

Those who doubt the presence of racist undertones in Keith’s “Beer For My Horses” should see the song’s video. (The embed link to the video’s Youtube version was disabled by Keith’s record label so you have to click here to watch it). Cue ahead to 3:00 and watch as Keith intones, “We got too many gangsters doin’ dirty deeds.” The singer’s words are not-so-subtly accompanied by the image of a swaggering black man sporting short dreads and baggy clothes. Thus the profile of Keith’s ideal lynching candidate is revealed.

Keith’s whirlwind publicity tour continues on July 30 with his appearance on CBS’s Early Show, then sit-down interviews with Esquire Magazine and Us Weekly. The following week, Jay Leno will play host to another raucous rendition of “Beer For My Horses.” Thanks to Keith and his unsuspecting hosts, lynching is becoming cool again.