Today in Knesset, Ronit Tirosh of Kadima (the opposition party that almost never opposes racist and anti-democratic legislation, and often sponsors it) convened a discussion in the Commitee on Education, Culture and Sport about compelling reluctant pop stars to perform in Israel. The legislators were joined by Shuki Weiss, a big time Israeli concert promoter who has lost thousands from last minute cancellations by artists like Elvis Costello. “The state must intervene,” Weiss said, according to Achbar Ha’ir, an Israeli arts and culture publication (I am summarizing the Hebrew article).
So what sort of intervention did the committee propose? First, Tirosh raised the idea of compensating promoters like Weiss for their losses with some form of state supervision or insurance. This is wonderful idea, but only if you are pro-BDS. One of the key argument against BDS hinges on the specious idea that the boycott targets innocent Israeli citizens. Why should we punish Israelis for their government? anti-BDS people argue, assuming that somehow the people didn’t elect their government and don’t participate in maintaining the Occupation. But if the Israeli government doles out money to wealthy promoters to cover their losses (while the Finance and Housing Ministries bilk, exploit and evict tens of thousands of working class Jewish families — and you won’t hear about their plight from the Z Word or other hasbarist blogs) the cultural boycott becomes a direct means of targeting the state.
The only other idea that Tirosh and the committee could come up with was to do hasbara, or officially sanctioned propaganda, on Facebook and social media sites to encourage artists to make good on their plans to perform in Israel. This seems to be Israel’s answer to all its problems, as though commercials filled with bikini-clad girls on Tel Aviv beaches can distract from or paper over the crimes those same girls commit while in IDF uniform.
Of course, if Israel wanted to improve its international reputation, it could give unlimited permits to Palestinians from the West Bank and Gaza to attend concerts in Israel. Why are illegal Jewish settlers from Hashmonaim able to see Macy Gray perform in Tel Aviv while my friend Said Amireh, a 19-year-old from the Palestinian who lives a few hundred meters away in Nilin, imprisoned behind a giant wall, can not? The answer is that the state is built on a foundation of discrimination. Because it does not intend to change, it must prepare for worldwide castigation.
Weiss went on to predict that things will get worse for Israel, especially in the age of social media-inspired revolutions in the Arab world like the one in Egypt. On this point, he is completely correct. The Dizengoff Command Band’s semi-satirical hit from Israeli in 1970, “The Whole World is Against Us,” has become a self-fulfilling prophecy.